Sub Accident, 1997. 20 min.
Assembled on betacam from footage shot on super 8, 16mm, and VHS, as well as pen and ink and computer animations, scanned photographs and appropriated footage.
1998 New York Video Festival curator Gavin Smith described it as follows: "Probing into a photograph doctored for McCarthy era propaganda purposes, Price's cryptic, unnerving video is 'an act of conjuring' that scrutinizes images, from home movies to NASA footage, in search of traces of history's baleful omniscience. Reducing images to their constituent pixels and grain, this tape suggests that as surely as we picture history for meaning or conspiratorial pattern, history is scanning us for signs of dissidence."